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    Bernhard, Thomas

    Thomas Bernhard‘s work is most influenced by the feeling of being abandoned (in his childhood and youth) and by his incurable illness, which caused him to see death as the ultimate essence of existence. His work typically features loners’ monologues explaining, to a rather silent listener, his views on the state of the world, often with reference to a concrete situation. This is true for his plays as well as for his prose, where the monologues are then reported second hand by the listener. His main protagonists, often scholars or, as he calls them, Geistesmenschen, denounce everything that matters to the Austrian in tirades against the “stupid populace” that are full of contumely. He also attacks the state (often called “Catholic-National-Socialist”), generally respected institutions such as Vienna’s Burgtheater, and much-loved artists. His work also continually deals with the isolation and self-destruction of people striving for an unreachable perfection, since this same perfection would mean stagnancy and therefore death.

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    Alpha

    Echo

    India

    Mike

    Quebec

    Uniform

    Yankee

    Bravo

    Foxtrot

    Juliet

    November

    Romeo

    Victor

    Zulu

    Charlie

    Golf

    Kilo

    Oscar

    Sierra

    Whiskey

    Delta

    Hotel

    Lima

    Papa

    Tango

    X-Ray